Yesterday lunchtime I
made my way up to the Duchess Theatre to see August Wilson’s play Fences. Written in 1983 but set in 1950s
Pittsburgh, Fences’ plot revolves
around central character Troy Maxson, played superbly by Lenny Henry. Although
humorous at times, allowing Henry to take on his more natural comedic persona,
the play tells the real and bitter story of a struggling family, and having not
seen him act before I was very impressed at how easily he adapted in the more
serious scenes.
A failed baseball
player in his youth, Troy Maxson is now in his mid-fifties and a rubbish collector,
trying his best to improve his career, support his family, and guide his two
sons to better themselves. But when his youngest, Cory, wants to follow in
his footsteps and become a famous sportsman, Troy’s roles as a father, husband,
brother and friend are all tested. Learning more about his past and the secrets
of his present as the play progresses, will any of the Maxson family be able to
lead a happy future?
All of the seven
actors in the production gave incredible performances, and the only let down
for me were the theatrical traits (monologues, explanatory dialogue and Henry’s
one very small line slip-up) that reminded me I was sitting in a theatre
watching a play with a script. Fences
definitely deserves all the stars it has been given. On until 14th September.
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